The Irishman (2019)

Martin Scorsese’s mythical, mournful and powerful depiction of the mafia, America and the mid-twentieth century is culmination of the themes he has dealt with, and helped define, throughout his illustrious career. With complex and layered performances from Robert De Niro, Al Pacino and Joe Pesci, Scorsese uncovers the innate corruption and violence that the US…

I Used To Be Normal: A Boyband Fangirl Story| Screen Queens

  My latest review is now available on Screen Queens – a look at a recent documentary surronding the cultural phenomenon that is boybands and the teenagers that love them. Check out the review here!

Bait (2019)

  Mark Jenkin’s innovative and haunting tale of gentrification in a small Cornish fishing village signals a new and vital voice in British cinema. Martin (Edward Rowe) is a fisherman who has lost his boat – his brother Steven (Giles King) has transformed the working ship into a tourist attraction, taking groups of unbearable stag…

Now on Netflix: Blindspotting (2018)

  A lyrical ode to the city of Oakland, Blindspotting expertly dissects gentrification, race and police brutality and the issues surrounding two young men finding themselves in a neighbourhood that they no longer understand. Vibrant, colourful and Shakespearean, under the direction of Carlos López Estrada, the tale of two old friends navigating life in the rapidly gentrifying…